Along the spine, there are small red spikes that match the color of Sylvie’s eyes. It’s a reptilian tail that has two red spikes at the end. Sylvie’s tail looks exactly like Sylvia’s tail. Her head is shaped like a cat’s, but the snout is just a little bit more pointed, otherwise the same. It curves outward around her head and then, sharpening into a point in the front. The most noticeable difference between Sylvia and Sylvie is that Sylvie has two horns on its head. Her pupils are sharp slits that would typically make it look menacing, but with the body of something akin to a small feline animal, she looks adorable. The sclera that is usually white in the human’s eyes is black. Definitely worth your while and I hope it follows the novel to the letter.Sylvie’s newborn form looks like a small black kitten but with scales. It's a sharp contrast with the savage atmosphere around the characters, the river scenes, and the feeling of near-isolation from any semblance of civilization. The monotone of the opening lines of the theme song reflects the hypnotism that the title character practices on her victims as the lyrics talk about what she wants and can't have. The music in this production mixes character leitmotifs with suspense, romance, black magic, and ironic humor, the latter element somewhat unexpected but somehow appropriately handled. This would have definitely been better done as 1928 instead of 2008. I find it rather difficult to believe that there is anywhere in Venezuela where any of these things are presently unknown. There was no such thing in the period of Gallegos' masterpiece, which was written as a statement on social change involving progress from ignorant superstition into enlightened modernism. The spoiled, frivolous, and petulant Luisana has breasts that are obviously enhanced by a plastic surgeon, and Bárbara comments on this.
Dona dona mangapark movie#
There are old-fashioned typewriters and no telephones in a town where people have no idea what a movie is, but Mauricio has a 1980s boom box and music CDs and a laptop computer. The period of the novel is the early 20th century however like many recent novelas - the production is flawed because of its mixing of anachronisms. We're supposed to sympathize with the childlike Marisela, but I mostly find her annoying and not just when she's difficult to understand. At least most of their accents blend or match Genesis Rodriguez' does not, which contributes to the ongoing annoyance factor with her character. Most of the other cast members are quite good, especially Christian Meier, Lucy Martinez, Katie Barbieri, Paolo Quevedo, Arap Bethke, and Roberto Mateo. She is clearly driven by the abuse she suffered in her youth, but has no idea that completing her revenge will not lead to peace or even satisfaction. She uses witchcraft and murder to get what she wants. We're not supposed to like Doña Bárbara, but the many women who have suffered the sort of abuse she did undoubtedly were cheering when she disposed of Perro de Agua and want to see her get away with it.
She has no maternal feelings toward her own daughter. She is seductive, but has no relationship skills. The role of Joselyn in MUNDO DE FIERAS was excellent preparation for this interpretation of "la devoradora", the devourer of men.
Dona dona mangapark tv#
The classic anti-heroine couldn't be coming to TV again at a better time and Edith Gonzales is Telemundo's greatest casting coup.
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